Curious stickybeaks and nosy Parkers

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Wednesdays* are perfect for the heady joy of satisfying our etymological curiosity. And what better to consider than curiosity itself…

Curiosity comes from curious which evolved from the Latin cura to care. Lots of interesting developments have wound their way into the language from cura: cure and curate and curator and curio, just to name a few.

From around 1883, booksellers referred euphemistically to erotica and pornography as curious books or curiosa, deriving perhaps from the 18th century meaning that something curious was ‘exciting curiosity’.

The exclamation of “Curiouser and curiouser” in Alice’s Adventures in Wonderland in 1865 was attributed by Lewis Carroll to her being so surprised she forgot how to speak good English. Never fear. Like other contributions made to the language by Carroll (which include chortle, galumph, snark, vorpal and the concept of a portmanteau word) it is now commonly used and understood (according to the Oxford Dictionary) to mean ‘increasingly strange’.

It’s a well-known fact that curiosity is inimical to felines, so keep your cats off the keyboard as we delve a little deeper with the help of the Online Etymology Dictionary.**

Busy now means only being continually occupied, but it once also meant being anxiously careful and potentially prying or meddlesome and so a busybody was a person who snooped and pried into things that worried them, but were not really their business (or busyness, if you want to go old school).

‘Snoop’ is from 1832 American English, possibly from the Dutch snoepen ‘to pry’.

‘Pry’ is much older (c.1300) from prien ‘to peer into’.

The use of ‘nose’ as a verb, rather than a noun, in the sense of prying or searching something out, is first recorded in the 1640s, and being nosy meant having a prominent nose for centuries before it was used as an adjective to mean inquisitive in 1882.

To call a nose a beak has also been around for centuries and stickybeak is an Antipodean word to describe being inquisitive. You stick your beak into something in Australia or New Zealand and you are, ipso facto, a stickybeak. The act of sticking said beak can be referred to as stickybeaking or you can say, to justify your curiosity about something, ‘I just wanted a stickybeak.’

It doesn’t necessarily carry negative connotations, but dismissing someone as ‘an old stickybeak’ is like saying they’re a busybody – it’s pretty derogatory.

When I was a kid, with the surname of Parker, if someone showed an excess of curiosity, they were a stickybeak. You may imagine my horror, aged 8, when our substitute teacher told someone off in class for trying to eavesdrop by calling them ‘a nosy Parker’.

Not cool, man. Not cool.

After I lived down the shame (never more thankful that my nose is delightfully retrousse or I would NEVER have lived it down) I looked into what ancestral Parker had doomed us all to being thought stickybeaks.

The popular theory was it had been Matthew Parker, Archbishop of Canterbury at the time of Queen Elizabeth I, who was to blame. Or it may have been that parkers were park keepers and given to snooping when illicit couplings caused the shrubbery to rustle. It was an occupational hazard (or perk, depending on perspective) in the same way that people out ‘walking their dog’ engage in dogging.

But the first recorded use of nosy Parker isn’t until 1907, well after the heyday of the archbishop and of Parkers being necessarily associated with parks. So it remains unclear just which Parker was to blame for marking us all as nosy.

And now to digress from etymology and swerve into genealogy:
Despite the huge numbers of Parkers in England, the story in my family was that we were descended from the archbishop, and, since the family came from Cambridgeshire, also from the Parker after whom Parker’s Piece in Cambridge is named.

I was curious.

So, when I lived for six months in Peterborough, in Cambridgeshire, I took the opportunity to do a genealogy course and to trundle down to Cambridge to have a stickybeak in the shire records office. I found no link to the archbishop nor to the Trinity College cook who kept cows on Parker’s Piece.

But I did find that my 10 x great-grandfather was Thomas Hobson.

Hobson ran an inn in Cambridge which hired out horses, to students and academics especially. His practice was to rent out the next available horse – regardless of what horse was wanted – because then the fastest horses didn’t get overworked. The saying that you have ‘Hobson’s choice’ – take it or leave it – is said to have been popularised by the poet John Milton, who as a Cambridge University student, wrote mock epitaphs for Hobson.

So I can’t claim to be a ‘proper’ nosy Parker… but I can claim a remote genealogical link to having a cavalier approach to other people’s wishes.

Hobson’s daughter, Elizabeth, married a chap called Fookes or Fowkes or Fox (they were a little slapdash with the spelling back in the late 1500s) who, before he died, sold his property of Anglesey Abbey to Hobson. When Elizabeth married Thomas Parker, Hobson gave it to them as a wedding gift.

Somehow, despite Anglesey Abbey now being a National Trust property, I never managed to pay it a visit, although I did get to the little village of Bottisham nearby, where lots of Parkers lived and died in obscurity before, in three generations my ancestors moved back to Cambridge, then to London and then to north Queensland.

One day, though, I’ve promised myself I’ll also get back to Cambridgeshire and have a stickybeak at Anglesey Abbey.

* Wednesdays are perfect for words – honestly, it’s a thing.

** An invaluable resource for writers of historical fiction who don’t want anachronistic words in their book.

Feeling lucky?

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Or if not lucky, at least in the mood for some fiction…

The Australian Writer’s Centre sets the Furious Fiction challenge on the first Friday of the month and writers have 55 hours to write no more than 500 words. This month the goal was: 1) start the story with a two word sentence, 2) set it in a supermarket and 3) have something breaking. You can read the winning and shortlisted entries on the AWC website.

Here’s my 500 words:

LUCKY’S

‘No Credert.’

That sign makes me twitch every time I walk into Lucky’s Holesale Supermarket. Don’t worry, the ‘holesale’ bugs me too, but at least the rusty ghost of a ‘W’ is visible on the corrugated iron. The other, hand-written, sign is taped to the back of the cash register.
First time I saw it, I swear I flinched.

“Listen,” I said to the woman leaning on the counter. “That’s not how you spell credit.”
The badge on her blouse said her name was Shirl.
Shirl said, “I know.”
“Then…” I gestured at the sign.
She looked at me through ice-pale, unblinking eyes.
“Some people like to have something to complain about.”

I thought about turning around and walking out, but I didn’t want to burn my bridges too early. The next nearest shop was the petrol station six blocks away and they charged like wounded bulls. I was renting between a sprawling industrial estate and a fetid, snake-filled swamp. I’d need my bridges when that damn swamp flooded.

So I nodded, grabbed a trolley and headed into the first aisle.
It was like no supermarket I’d ever seen. Industrial shelving lined one wall of a big, ugly warehouse and most of the floor space was taken up with water-damaged pallets. Perched on top were boxes of loose-leaf liquorice tea.

Three litre jars of dill pickles.

Blood pressure monitors.

Packs of toddler training nappies.

Tinned brawn.

Souvenir spoons.

Cheap, sure. But none of it made sense.
At the end of the aisle the stink of rotting seafood slapped me. Four chest freezers stood reeking against the hot corrugated iron. A sloughed snakeskin fluttered, caught on the wheels of the nearest freezer. I gagged and swore.

“Silly, isn’t it, putting them against the western wall?”
An old lady emerged from the next aisle, clutching a wire basket which held three tins of baked beans and a blood pressure monitor.
“I never buy their fish,” she confided, “but that’s not why we come here is it?”
“Why do we come here?” I was genuinely curious.
“Because one day we’ll find what our heart desires.”
She sighed, smiled and drifted into the next aisle.

Mad, I figured.

I was halfway down aisle two, digging through tinned beans for the extra cheese variety, when I heard her cry out. I pushed between pallets piled high with toilet paper and novelty lawn ornaments, sending a ceramic panda crashing to the floor.
“Are you alright?” I gasped.
She held something against her chest which lit her face like she cradled a star.
“I am now. It’s what I’ve always wanted.”
She sailed off towards the checkout, leaving me to push pieces of broken panda under the pallet with the side of my shoe.

“Got what you want?” Shirl said when I wheeled my trolley up.
“Uh, sure.” I gave my gleanings a dubious look.
She cracked a slow smile and said, “Maybe next time.”
Maybe.
I guess that’s why I keep coming back to Lucky’s.

More than just steam and giggles

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What’s the deal with Steampunk?

I’ve been pondering the question since having a fabulous time at the Goulburn Waterworks Steampunk Victoriana Fair last month. I love Steampunk as a sub-genre of speculative fiction – it’s a blend of science-fiction and historical fiction (with a dash of fantasy) inspired by the visionary writings of Jules Verne and H.G. Wells.

It’s a reimagined Victorian Era where the Industrial Revolution has gotten more than a little carried away, run off with Mad Science and spawned all sorts of steam-powered gadgets.

It’s delightfully anachronistic, full of dirigibles and derring-do, corseted women who (ironically) won’t be bound by societal expectations, bold chaps with monocles and mutton-chops and, sometimes, werewolves in top hats.

When it wants to go wild it goes west – to the frontiers of a very Weird Wild West. Or it heads south. Way, way south. Check out the work of two talented and creative writers I know, who’ve done amazing things with Antipodean Steampunk – Geraldine F Martin and Felicity Banks.

It is, as the Ministry of Peculiar Occurrences succinctly puts it – “modern technology, powered by steam and put in the 1800s.”

steampunk 6But it’s also much more.

It’s fabulous clothes and costuming. It’s engineering challenges and arts and craft and decorative styling. It’s music, film and art. It’s a whole lot of fun.

What I find amazing is the way it’s slipped sideways and, unlike some genre / pop culture fandoms which have fiercely loyal but very niche adherents, Steampunk has gone… well, I guess mainstream is too strong a word.

Still, Goulburn is far from alone in hosting an annual fair. Every year you can steampunk (I’m sure that’s a verb) at Lithgow’s Ironfest, the Hunter Valley’s Steamfest, Adelaide’s Steampunk Festival, Georgetown’s Steampunk Tasmania and more.

Across the Tasman, they’ve not only got fab festivals, there’s Steampunk HQ, an incredible museum and gallery, in Oamaru – recognised as the Steampunk capital of the world.

Check out The Unorthodox Society for the Elucidation of Retro-Futurism’s deliciously exhaustive Australia and New Zealand Steampunk Directory for links to groups, festivals, bands, artists, costumiers and, well, pretty much everything.

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I don’t know why it’s so popular, other than that it’s a fun, creative way to play the game of ‘what if?’. And that’s a game that every writer, reader, dreamer and creative person loves to play.

So, why not give it a go?

Get your top hat goggled and your parasol poised, and I’ll see you at the next Steampunk soiree. Toodle pip!