The anti-cupid

close up of a cat's face

Talk about a writing challenge – AWC’s Furious Fiction this month almost defeated me. Why? Because the first criteria was it had to be set in a library or bookstore and, if you read Sweet serendipity, you’d know I did that last month. Plus, you had to include at least six of their twenty words. But inspiration springs eternal and one of those words was cupid…

The other nineteen words – smelt, broken, music, grubby, around, game, coffee, mechanical, hands, beige, twelve, backpack, letters, nameless, cowboy, operate, train, pungent and untouched – are all included in my story: The Anti-Cupid.

Twelve broken hearts in an hour.

A new record.

Boris surveyed the bookstore from his perch on the counter, a faint sneer tugging at his lips. His patch, his rules and most of the lovelorn had no idea how to play the game.

Still, one couldn’t afford to rest on one’s laurels.

That was the express train to complacency station, followed by demotion and the dead-end siding of incarnational opportunities. If he didn’t watch out, he’d be back as a fly, distracting some grubby, nameless, post office sorting-room minion to ensure the love letters were misdirected.

He shuddered.

Anything but that.

‘Are you alright, Boris?’ Gwyn said and he twisted expertly away from her reaching hands, leaping to the floor and darting into the best seller aisle.

‘Boris!’ she called, but there was only so much of her pawing he could stand.

He reached the cross aisle and looked for opportunities. A middle-aged woman flicked through the journals. Two office workers gossiped next to the latest biographies of movie stars and music producers. A tall man in jeans browsed the Westerns. A student with a backpack stole curious glances at a short woman with hair the colour of wasabi, who read the blurb on a fantasy novel.

The pungent aroma of blossoming love drifted from them.

Boris sauntered forward as the student said, ‘That’s, er, that’s a good book. Have you read her Steampunk one? With the mechanical corset?’

Wasabi-girl looked up and grinned. ‘I loved that book. When they smelt the copper and Tippi injects it into the automaton and Pickerel says -’

‘“That’s not how we operate!”’ they chorused and smiled at each other.

Boris’s cold nose hit the back of the student’s leg at the same moment the green-haired girl said, ‘Want to get a coffee and talk Steampunk?’

It was hard to say which startled the student more, but she stammered agreement as they both exclaimed over what a gorgeous cat he was. Boris bunted his head against their ankles, weaving between the women’s legs in an arcane match-breaker pattern. He purred his satisfaction. They might leave together, but there was no hope for their budding romance now.

He looked around. The cowboy had abandoned the Westerns and was sidling towards the lone woman who clutched a beige Moleskine like it was her bridal bouquet.

Not today.

Not on Boris’s watch.

No-one left his bookstore untouched.

Heroines and monsters

illustration of knights jousting

I love a good once upon a time and happy ever after, and best of all I love a reimagined fairy tale. But the gender roles in many fairy stories are depressingly predictable. The boys go on adventures and quests. The girls wait: for something to happen; something to change; for a knight in shining armour to ride up, slay the monster and save them.

Sometimes, the poor dears can’t even be bothered staying awake – those girls are so passive they’re asleep.

It’s more ho hum than fe fi fo fum.

illustration of Melusine - half-woman half-dragonI prefer stories where women get to do some questing, stomping and slaying of their own. 

The new Heroines Anthology from The NeoPerennial Press is full of such tales, including a short story I wrote about the daughter of the medieval monster countess, Melusine.

A quick refresher, in case you thought she was just the two-tailed logo on the Starbucks coffee cup (yes, but…). Melusine married the Count of Anjou on the clear understanding with her husband that she’d have one day a week to herself. Curiosity, thy name is Raymond! He broke his promise and spied on her in the bath, only to discover she was half-serpent. She was unimpressed by his betrayal, sprouted wings and flew out the window, denouncing him.

You go, girl!

I’ve loved Melusine ever since I read The Wandering Unicorn by Manuel Mujica Láinez, a couple of years after that novel was translated into English by Mary Fitton in 1985. So when I needed to reimagine a woman’s story from myth or history to submit to the anthology I thought of her and her children. Now, most accounts of Melusine say she bore ten monstrous sons for Raymond, Count of Anjou.

And I wondered… what if she had a daughter?

Louise Pieper at 2019 Heroines Festival, ThirroulThe other influence on Melusine’s Daughter was the medieval ballad, from the Dutch folk tale, of Heer Halewijn. This thoroughly repulsive, magically powerful bloke was the progenitor of Bluebeard and other horrible mass-murdering chaps in folk stories and songs. The unnamed heroine princess of The Song of Lord Halewijn is a delight. She rescues herself from a dangerous situation and doesn’t take any lip from her would-be killer. Or his mum.

You can check out one of the versions of the ballad and its translation here, if you like a bit of medieval sass.

If you’d like to read Melusine’s Daughter, you can purchase the Heroines Anthology: volume 2 from The NeoPerennial Press. She’s keeping company with Cassandra and Bast and Boudicea and many more intriguing imaginings of marvellous women, all of them written by intriguing and marvellous women writers. 

I enjoyed writing a character who comes to understand it takes more than scales to make a monster, and who embraces her monstrous heritage. Just as well – there’s only three weeks left for me to finish my short story to submit for the next CSFG anthology, Unnatural Order, which is all about telling the monsters’ side of things.

So, wish me luck as I polish up some more scales.

They’re what all the cool monsters are wearing this season.