Writing, of course!

woman with bright hairIs 2021 the year you’re finally going to write your novel?

Or perhaps the demands of everyday life have scaled your resolutions down from 80,000+ words to something more like 4,000 and you just want to write, polish and submit a short story (or maybe two…)

If so, and you live in the Canberra region, AND you’re looking for some creative, writing craft-focused courses to help boot you along… look no further.

My writing buddy and I have four creative writing courses running in the first half of 2021 through CIT Recreational Short Courses. You could do a course on Amigurumi crochet or pizza and bread making*, but mmmm, why not also come to one of our delicious writing courses, which are chock-full of good advice, tips and tricks, and exercises to get your words flowing while you learn about vital aspects of storytelling and writing craft.

What aspects? Writing believable relationships and compelling characters, crafting scenes, and developing plots. The blurbs for each are in italics below:

Romance writing: love, lust and longing is on Saturday the 27th of February – 10am to 3:30pm:

Are you ready for romance? This one-day, writing intensive boot camp puts the best-selling genre under the spotlight. You’ll learn about the four pillars of romance, how to create tension (even when the reader is confident of a Happy Ever After) and how to write convincing relationships and compelling intimacy.

Creating convincing characters will be covered over three Tuesday nights in March – the 16th to the 30th – from 6pm to 8pm.

Are your characters working as hard as they can? Learn what readers connect with and why, and give your characters unique hooks, history and a heart. Workshop dialogue, strengths, flaws, backstory, relationships, goals and more, to make your characters unforgettable.

Scene snapshots: writing effective scenes is also on three Tuesday nights – the 4th to the 18th of May – from 6pm to 8pm:

Develop your writing skills using setting, set-up and action. Break down the nuts and bolts of what makes an effective scene so you can build any sort of story – short or novel length. Learn how to work your scenes to move the story forward, taking your readers with you.

Writing stories: plot, plan, and pillage is on Saturday the 5th of June, from 10am to 3:30pm:

One size does not fit all – this is as true for story structure as it is for clothes. This one-day course deconstructs successful stories to learn their patterns, discusses plotting for character, narrative and genre, and reveals how best to plan your writing.

We’ve run the first two courses before at CIT Bruce, and we got a lot of great feedback and requests for more. What people asked for was a way to take their fully realised characters, in all their emotional variety, and put them into a compelling narrative. So, we’re going to cover scenes, which are the building blocks of fiction, and plots, which provide the structure.

If you want to make the analogy that writing a story is like building a house, we’re covering vital aspects like the frame, bricks, furniture and decor. Or maybe your writing process is more of an extended Frankenstein moment – “Give my creation life!” – and we’re the Igors bringing you bones, muscles, flesh and heart.

In any case, why not come up to the lab and see what’s on the slab?

You know you want to. **

 

*As always, the range of courses is fabulous and inspiring and just perfect for discovering your new favourite thing.

**Just follow the links and sign up on the CIT Solutions website.

(Banner image cropped from a great photo by Allinoch on Pixabay.)

The Apocalypse? It’s not all bad

2020 was not the year for writing grim apocalyptic fiction.

Well, not according to me anyway. If that’s the jam in your jelly roll… okay, I’m not judging. You do you, Boo.

Nevertheless, ‘Apocalypse’ was the theme for the 2020 CSFG / Conflux short story competition that I wanted to enter. No. That I wanted to win – because I was so very pleased when my creepy little tale of an archivist and a skin-bound book won last year’s competition.

So, it was just a matter of writing my way into an apocalyptic story which wasn’t unbearably grim. Simple, right?

Step 1 was the opening lines of Lord Byron’s poem Darkness:

I had a dream, which was not all a dream.
The bright sun was extinguish’d, and the stars
Did wander darkling in the eternal space…

Alright, still a little grim, but cut the guy some slack – it was the Year Without Summer so pretty gloomy all round. Anyway, I liked the idea of a dream which was not all a dream.

Step 2… I thought about making a character who had been born on the 10th of August 1997. Why? Because according to Aggai, the Bishop of Edessa in the 1st Century, that was when we could expect the Antichrist to be born and the end of the world to begin. Errr… still a bit grim, I suppose.

But… step 3, there were lots of apocalyptic theories for 2012, which would make someone born in 1997 just 15 years old and that could be fun…

Inspired by a dash of Alice Hoffman’s Practical Magic and a pinch of Maggie Stiefvater’s Blue Lily, Lily Blue (Book III of the Raven Cycle), I came up with the Delangeur women who foretell the future by various means – cartomancy, ailuromancy, augury and scrying  – and Molly Delangeur, a teenager who dreams of the end of the world.

I just needed to set it in a small hinterland town, surrounded by dairy farms, so I could lighten the tone with an apocalypse cow, a cash cow and the sort of cheerfully cheesy, regional festival that rural Australia does so well and I had my story – Herding Cats.

And the really great thing?

It won the CSFG / Conflux 2020 short story competition, and you can read it here, on the Conflux site, along with the apocalypse stories The Cusp by Kathryn Gossow and Yestermonth by Tim Borella.

Let me know what you think – still too grim or did it make you smile?

 

(The apocalypse cow banner image was cropped from a photograph by Cally Lawson on Pixabay.)

Heroines 3 and The Tenant of Rookwood Hall

barking black terrier

I couldn’t make it to the Heroines festival this year, but right now the new Heroines Anthology is wending its way to me from the wonderful team at Neo Perennial Press. I can’t want to get my hands on it to read this latest crop of stories about amazing women.

The Heroines anthologies contain short fiction and poetry which retells or re-imagines stories about women from history and folklore, fairy tales and legend. They are mythology for the contemporary age. This anthology also presents the outcome of the inaugural Heroines Women’s Writing Prize. From over 350 entries the winner of the short fiction prize was Dasha Maiorova, and the winner of the poetry award was Isabella Luna. Congratulations to them both for reclaiming heroines of the past in a way which strongly resonates with women today.

I was thrilled to make the longlist of 24 authors and poets, because that secured my story’s place in the table of contents for this third anthology.

For the first anthology I wrote Bits and Bolts and Blood – a different kind of Little Red Riding Hood, because a wolf who was better versed in fairy mythology would have known to fear a red cap.

For the second, Melusine’s Daughter considered how that marvelous monster’s daughter would have fared against Heer Halewijn, the original Bluebeard.

This time, I wrote a story called The Tenant of Rookwood Hall. I had started out thinking about fairy ointment and Christina Rossetti’s Goblin Market (a different tale altogether) and then wandered off on a literary walking tour of the Fells.

And, yeah, I bumped into those Brontë sisters. I don’t think anyone has ever encapsulated my issues with Charlotte’s and Emily’s novels as well as Kate Beaton did, in her web comic Hark a Vagrant.

Poor Anne! She wrote one of the first feminist novels, The Tenant of Wildfell Hall, which was incredibly popular – and shocking – when published, because of its depiction of alcoholism and vice. The sound of the heroine’s bedroom door being slammed against her husband “reverberated through Victorian society”. But, her sister Charlotte was critical of the book and refused to allow it to be republished after Anne’s death, describing it as “a mistake” and Anne as “gentle, retiring and inexperienced”.

Actually, Anne appears to have been the only Brontë with much of a spine and the ability to make a go of things without falling prey to sensibility, romanticism, laudanum, etc, etc. Anyway, back to the Fells…

The lonely wild places of the north of England are notoriously beset with fairies, giants, witches, and malevolent beasts. Charlotte Brontë’s eponymous heroine, Jane Eyre, is fleeing from something which may or may not be the fearsome Gytrash when she first encounters Mr Rochester, arguably a far more dangerous creature.

So, when I wrote of an independent young woman crossing the Fells, where the ruins of the fairy king’s rath can be found, it was inevitable that a Brontë influence would seep into my story. If you want to find out how Miss Grey manages when she has to deal with King Eveling and the Gytrash and three squirrel-tailed hedgehog fairy servants, you’ll just have to read The Tenant of Rookwood Hall.

You can purchase a copy of the Heroines Anthology (vol. 3) from Neo Perennial Press by following this link (and volume 1 and volume 2 as well – I mean, they’re right there…)

And take care when you’re out walking, my dears. You never know what you might encounter.

 

(The banner  image is cropped from a photograph of a Patterdale Terrier by Karin Laurila on Pixabay. I know the Patterdale is one of the Fell Terriers, but I’m pretty sure they’re not directly related to the Gytrash.)

Funny you should say that

a bright blue beetle on a green leaf

After a weird two months of blog silence, I’m back with a bang, or at least a funny story.

But it’s not of the ‘three men walk into a bar, one got concussion and the other two were slightly injured’ variety. It’s my entry to this month’s Furious Fiction competition. The challenge was to write a <500 word story which contained humour, a sandwich, and the words dizzy, exotic, lumpy, tiny and twisted.

You only have to hear the words “know any good jokes?” and every humorous tale or comedic routine you know evaporates from your mind. So too with the command that you should “write something funny.” Still, that’s the whole point of writing challenges – trying to scoop soggy words out of your head with a slotted spoon.

But, one of my favourite ‘funny things I have heard’ stories happened this month, thirteen years ago, when I happened to be on a boat in the Brunei River, with my then five-year-old, looking for proboscis monkeys. Yes, it was fabulous, thanks for asking.

brunei river water village and mosque

We’d just passed a water village, where children and dogs were splashing in the water, when my son said, with relish, “That is a saltwater crocodile.”

And yeah, it was.

saltwater crocodile in the Brunei River Aug 2007

Not a small one, either.

Anyway, the guide confirmed the creature’s identity and the only other person on the tour with us – an elderly English lady – said, “Oh dear, what do they eat? There are children in the water just back there.”

And the guide said… Well, if you want to know what the guide answered, you’ll have to read my story.

THE MADAWOMP

“M-m-madawomp,” the local guide stuttered.
“Nonsense,” Uncle Melchior murmured, gaze fixed on the tiny creature crawling across the expanse of a white-ribbed leaf. “It’s a Glim beetle, which is just what we want. Killing jar, Vida.”
His niece ignored the demand, and the exotic insect, and followed the line of the guide’s trembling finger. A deeper shadow drew its bulk from among the dark roots of a nearby fig tree. It looked like a cross between a tapir and a crocodile, with a long, crenelated neck and a huge beak, which it clacked at them.
“Madawomp,” the guide repeated, swallowing hard.
“What do they eat?” Vida asked, with some urgency.
The guide tugged at the neck of his shirt and swallowed again, setting his Adam’s apple bobbing.
“Er… fruit,” he said.
“Well, that’s nothing to worry about then,” Uncle Melchior huffed.
“Before noon,” the guide went on without looking away from the beast. Its lumpy neck ridges rippled as it swung its head from side to side. “Meat in the afternoons. Fresh meat, by preference.”
“Oh.” Vida’s uncle shook his pocket watch, but it hadn’t worked for weeks and they were too deep in the jungle to be able to tell if the sun was still obligingly ante-meridian. Vida suspected not.
“Pass me the killing jar, niece,” he demanded.
Vida wondered if he still meant to catch the Glim, or what use he thought an eight-ounce jar would be against an eight-foot creature. Her hands, freed of their glass burden, began to check the contents of her belt pouches. Her gaze stayed on the madawomp.
“On Wednesdays,” their guide went on, swaying with the beast’s undulations, “they devour only crustaceans, but –” He overrode Uncle Melchior’s cry of relief. “– only in the months when Saturn is visible in the night sky.” He shook his head. “If they feast on the roots of the paljum, it will rain in three days and –”
“You are remarkably well-informed about the dietary habits of these monsters.” Uncle Melchior complained as he twisted the lid off the killing jar and thrust it at Vida’s face. “My dear, I don’t want you to suffer.”
“No,” Vida cried, startling a shriek from the madawomp. She reeled back, dizzy from the chloroform, and began to empty her belt pouches. “We have to try something. Here!”
She thrust a spanner at their guide and a compass at her uncle. Her fingers closed over an apple she’d packed for the trek back to camp and she pitched it at the beast, which gave a derisive squawk as the fruit flew past its head.
“After noon,” the guide despaired.
“Chocolate, nuts, butter menthol…” Vida flung foodstuff from her pouches. “Aha!”
Uncle Melchior seized her crushed sandwich and waved it at the madawomp.
“Ham!” he cried, triumphant.
The beast froze, then frills of red skin unfurled from between the lumps on its neck. It lowered its head and burbled.
“Unfortunately,” their guide whispered, “sliced bread makes them amorous.”

***

Our poor tour guide really did tell the old lady that the massive saltwater crocodile cruising the river only ate fruit… and fish. My son, ever helpful, opened his mouth to protest this polite fiction, and I clapped my hand over it and assured him, quietly, that we’d discuss the dietary habits of crocodiles later. The look of relief on the guide’s face at not having to deal with the truth was priceless.

I’m not sure how saltwater crocodiles feel about ham sandwiches, but I suspect they’d eat them too.

 

Banner image of a beetle cropped from a photo by jggrz from Pixabay.
Brunei images are my own.

Dude, where’s my deadline?

B_Orange

The late, great Douglas Adams said he loved the whooshing sound deadlines make as they fly by.

I like the comforting terror of them looming towards me, growing until they blot out the sun, forcing me to do the work, do it now!!

So, it was a tad disconcerting to have two of my mid-April deadlines pushed back – one to mid-May and the other to the end of May. My reaction may be of limited interest amid all the other fascinating social hodgepodge and governmental jiggery-pokery that’s been going on for the last few weeks (which have felt oddly like a slow-burning eternity).

Nevertheless, I offer up my tale of two varieties of procrastination as solace to those also afflicted by the blight of diminishing motivation.

The first mid-month deadline was a critique of a novel for my writing crit group. It now goes hand-in-hand with my needing to complete a final edit of my own novel before I upload it for perusal by the group for June critting, but that deadline was always mid-May so let’s put it aside. I was racing into the last pre-crit week, devouring the set novel and enjoying it immensely. Then our deadline was pushed back for a month and I … stalled.

Stopped.

I haven’t opened the file in three weeks.

It’s ridiculous. I was enjoying it and suddenly… nothing. Part of my reason for writing this post is to try and overtly reboot my brain by reminding it that the new deadline is only two weeks away, hoping that the looming fear of diminishing time to finish the job will get me cracking again.

It’s not working… yet.

The other deadline, pushed back to the end of May, is to complete a short story for submission to the Heroines Anthology* (which this year also includes the Heroines Women’s Writing Prize). I had stories published in the first and the second anthologies, and I’m really excited to try and make it three for three.

All was going well and then the deadline was pushed back and suddenly… boom!

My story exploded, gaining more and more twists and turns, more layers of fairy tale references. It went wandering off across the Fells, chatting to Long Meg and King Eveling and hooking up with Jane Eyre and her Gytrash.

Now it’s become two separate short stories and I’ve had to take to them both with a machete because they’re like the blasted alien Red Weed, spreading across the countryside in a seemingly unstoppable tide.

What’s going on? On one hand I drop the bucket. On the other I go into manic bucket overdrive.

…and speaking of Fantasia’s sorcerer’s apprentice – which we totally were – and therefore our dire friend on Bald Mountain, did you realise that, as it is the last day of 2020’s endless April it is Walpurgisnacht? This is a traditional night for witches’ Sabbats on the tops of mountains everywhere, but not this year due to social distancing restrictions. It’s tough all round…

Er, what? You didn’t realise?

Of course you didn’t – you’ve lost track of time.

Days blur and bleed into each other. Weekdays and weekends are indistinguishable. You stay up late because there’s no reason to wake up early. You check your phone, blink, and the morning is gone.

Sorry, Einstein, time has become irrelevant to the observer.

We were warned, at the start of this social isolation malarkey to have a routine. I did. I do. I have lists of things that I need to accomplish by certain times. You’re probably thinking ‘so stick to the plan and get things finished early, doofus’. That’s rational. It just doesn’t work for me. My system is dependent on the motivation of deadlines. Once I am free of the shadow of its looming I’m all zen like a stripey-tailed lemur, basking in the sun.

I think I need to do more than reboot my brain. I need to reboot my year. So tonight I’ll draw up some fresh lists and set some fresh goals and I can treat the 1st of May as a new start – 2020b, perhaps? It can’t be worse than version a**.

 

* if you are a writer and a woman then follow the link to the Heroines Women’s Writing Prize and Anthology. Read the guidelines. You have until May 31 to submit your <3000 word story.

** no, Universe, that is not a bloody gauntlet. Cut it out. It’s not funny.

Monstrously fine!

B_red leavesI mentioned last August that I was interviewing monsters to feature in a short story I wanted to submit to the anthology call for CSFG Publishing’s Unnatural Order.

The good news is that the delightful beastie I chose, whose CV included such sterling job titles as Devourer of Souls and Great of Death, made the cut and has been included in the upcoming anthology.

Needless to say, I couldn’t be more delighted than to be again sharing a table of contents with the dapper Rob Porteous and the delightful C.H. Pearce, and eleven other talented monster  wranglers, including Grace Chan, Freya Marske, Nathan J. Phillips, Tansy Rayner Roberts and Leife Shallcross.

Thanks to editors Alis Franklin and Lyss Wickramasinghe for their unnatural selection.

The anthology will be out later this year. Don’t worry – I’ll keep you updated on all monstrous developments.

A long time brewing

row of Royal Gala applesSome stories take longer than others to reach fruition.

In February 2018, over on terribleminds, Chuck Wendig’s then-weekly flash fiction prompt was to type “strange photos” into Google images, find one you liked and write about it. Ooh! clever…

ArthurTressimage

I found this photograph by Arthur Tress – in fact, his disturbing dream-like photographs were all over the results. At first I didn’t realise the cut-out men were soldiers in helmets and I thought it was supposed to be Paul McCartney or George Harrison in all their mop-top glory, which made it even weirder.

Anyway, the first 500 words of a story about a man called Amos Polkinghorne, the third and last of his name, kind of fell out of my brain. A creepy story. And although I knew how I wanted it to end, I didn’t know what came between.

Two months later, in April 2018, I went to Tasmania for my birthday and indulged my weird obsession with apples growing on trees.

On trees, I tell you!

bapplesLook, it’s not that their arboreal provenance surprises me, but when you grow up in the sub-tropics, mango and banana and pineapple and avocado trees are everywhere but temperate fruits on trees are not. (Ha, ha, I know… pineapples and bananas don’t grow on trees. Pineapple plants are bromeliads and banana plants are just really big herbs.)

Anyway, I get ridiculously excited about seeing apples – and pears and plums and apricots etc – on trees. But especially, for reasons unknown, apples.

And down in Tassie, I talked to my cousin Matt about weird apple cultivars – like Lady in the Snow and Geeveston Fanny which you never see in supermarkets because they bruise too easily, or they don’t have a good shelf life, or they’re best for making apple jam or pies and not for eating – and he said he’s met people in the Huon Valley who’ve forgotten more about varieties of apples than we’ll ever know.

I tucked that away in my head, and found it had sidled up to the photo of the old man who looked suspiciously like someone who’d know an unseemly amount about Westfield Seek-No-Furthers or Winter Kings. And anything he knew probably wouldn’t be good news for anyone else.

Malice and Malus pumila started stewing together in my brain. Another 800 words bubbled up like warm cider hitting the frost-hard ground when you’re wassailing to appease the trees…

This is the odd thing about inspiration – bits collide and make a whole new thing. It’s the chemistry of story, I suppose. It’s why writers hate being asked ‘where do you get your ideas from’ because the answer is rarely ‘fully-fledged in a dream’ (although that does happen) and never, as far as I know, ‘I subscribe to a mail-order service which posts them out to me’ (although there are plenty of online story prompts including the inimitable Mr Wendig’s).

So, whatever happened to Uncle Amos?

He stewed, for more than a year, in the nether regions of my cortex, while I worked on other things and appeased characters who were more clamorous about their stories being told. I read about the rediscovery of a lost apple cultivar – the Kittageskee – and about Appalachian folk magic and about mummified scarab beetles (yeah, delightful, thanks Juliette). Amos didn’t go away. He just sharpened his bone-handled knife, curled his lip at the world, and waited.

What I needed to push me into finishing, as usual, was a deadline. I picked an anthology with the right kind of theme, and a submission deadline of the 31st of December and promised myself I’d get it done. Finally, while I was tinkering with the voice of the story’s narrator, Amos’s nephew, I realised that it needed to be Amos’s niece and it all came together.

And then it all fell apart, when that anthology call was cancelled at the last minute.

And then… a bit of serendipitous deliciousness happened and I found a submission call for another anthology which fitted my unsettling little story even better. Yes! In a gratifying burst of resolve to finish and submit more of my writing, I sent off my bad apple on the first day of the year and, even though it’s taken me nearly two years to write, I’m happy with that.

So charge your glasses, my friends, and toast to a good vintage of stories in 2020, even if they do require a slow ripening and a leisurely fermentation.

Oh, and let’s hope Uncle Amos is happy too. We don’t want him haunting our dreams.

An update: Amos was not best pleased to be rejected, and spent most of 2020 in a foul mood. Well, he’s not alone there. But you can’t keep a man like Amos Polkinghorne down (Lord knows, his niece has tried) and I’ve just had confirmation that ‘Bad Apple’ will be included in the ‘Good Southern Witches’ anthology being released by Curious Blue Press on 13 April 2021.

Heroines and monsters

illustration of knights jousting

I love a good once upon a time and happy ever after, and best of all I love a reimagined fairy tale. But the gender roles in many fairy stories are depressingly predictable. The boys go on adventures and quests. The girls wait: for something to happen; something to change; for a knight in shining armour to ride up, slay the monster and save them.

Sometimes, the poor dears can’t even be bothered staying awake – those girls are so passive they’re asleep.

It’s more ho hum than fe fi fo fum.

illustration of Melusine - half-woman half-dragonI prefer stories where women get to do some questing, stomping and slaying of their own. 

The new Heroines Anthology from The NeoPerennial Press is full of such tales, including a short story I wrote about the daughter of the medieval monster countess, Melusine.

A quick refresher, in case you thought she was just the two-tailed logo on the Starbucks coffee cup (yes, but…). Melusine married the Count of Anjou on the clear understanding with her husband that she’d have one day a week to herself. Curiosity, thy name is Raymond! He broke his promise and spied on her in the bath, only to discover she was half-serpent. She was unimpressed by his betrayal, sprouted wings and flew out the window, denouncing him.

You go, girl!

I’ve loved Melusine ever since I read The Wandering Unicorn by Manuel Mujica Láinez, a couple of years after that novel was translated into English by Mary Fitton in 1985. So when I needed to reimagine a woman’s story from myth or history to submit to the anthology I thought of her and her children. Now, most accounts of Melusine say she bore ten monstrous sons for Raymond, Count of Anjou.

And I wondered… what if she had a daughter?

Louise Pieper at 2019 Heroines Festival, ThirroulThe other influence on Melusine’s Daughter was the medieval ballad, from the Dutch folk tale, of Heer Halewijn. This thoroughly repulsive, magically powerful bloke was the progenitor of Bluebeard and other horrible mass-murdering chaps in folk stories and songs. The unnamed heroine princess of The Song of Lord Halewijn is a delight. She rescues herself from a dangerous situation and doesn’t take any lip from her would-be killer. Or his mum.

You can check out one of the versions of the ballad and its translation here, if you like a bit of medieval sass.

If you’d like to read Melusine’s Daughter, you can purchase the Heroines Anthology: volume 2 from The NeoPerennial Press. She’s keeping company with Cassandra and Bast and Boudicea and many more intriguing imaginings of marvellous women, all of them written by intriguing and marvellous women writers. 

I enjoyed writing a character who comes to understand it takes more than scales to make a monster, and who embraces her monstrous heritage. Just as well – there’s only three weeks left for me to finish my short story to submit for the next CSFG anthology, Unnatural Order, which is all about telling the monsters’ side of things.

So, wish me luck as I polish up some more scales.

They’re what all the cool monsters are wearing this season.

 

 

 

Monstrous and unnatural call out

the word terribly

The Canberra Speculative Fiction Guild (CSFG) has announced its next anthology and it’s monstrous and unnatural – just the way we like it!

The submission call for Unnatural Order makes it clear that editors Alis Franklin and Lyss Wickramasinghe are looking for tales about the truly monstrous in all its fanged, furred and tentacled glory. They want “stories that explore humanity through the lens of the inhuman” not protagonists who are just angsty, sparkly people-with-a-problem, or as they put it “rubber forehead aliens”.

No elves, no vampires, no zombies. No pining for a cure tales. They want non-human protagonists with attitude. Embrace the monstrous – you know you want to!

I’ll have to write a new <5000 word story for this, because my monsters do tend to be a little “monster-lite”. But I was thrilled to have one of my stories accepted for the CSFG’s last anthology, A Hand of Knaves, so I’m hoping to craft a suitably unnatural creature to join the Order.

The trouble is narrowing it down…. myths and folklore seethe with monsters who would happily find a home in a speculative fiction tale. I need to marshal my dire hordes or, in effect, run some beasties through a job interview to work out what I’m going to write about.

Read the guidelines at the Unnatural Order link above and get writing, my writerly friends, because submissions will close in October and you don’t want your monstrous progeny to miss out.

Writing is a gift (or it can be)

fox in the snowStill wondering what to give your writer friend or loved one for Christmas? Perhaps you’re planning to get serious about your own writing in 2019?

If the relevant writer lives in or near Canberra, here’s a great deal:

Short courses at CIT Solutions are 15% off until the end of the year and that includes the amazing creative writing courses that my writing buddy and I will be running in early 2019.

  • CAPTURE YOUR READER: a six-week course in creating compelling characters, page-turning tension and delivering on your promise to the reader.
  • WRITING LOVE, LUST & LONGING: a Saturday intensive on big and little ‘r’ romance, as well as vocabulary, anatomy and emotion.
  • SEDUCE YOUR READER: a six-week course focused on understanding your story’s heart and immersing your reader in the protagonist’s experiences and feelings.
  • WHO’S TELLING THE STORY?: a Saturday intensive on tense, voice and point of view and making sure you’re writing an unforgettable main character.

Register in any course by the end of 31 December 2018, use the SUMMER19 discount code, and you get 15% off. It’s win-win.

‘Fabulous,’ you say, ‘but what’s it got to do with that snowy fox in the banner?’ 

I’m glad you asked.

These courses are a new adventure for me and Juliette together (although goodness knows we’ve clocked up a lot of instructional hours separately) and they’re also the first string to the bow of our new company: PICARESQUE PRESS.

Every bold endeavour needs an inspirational mascot and ours is Picaro the fox, as pictured. Or perhaps it’s Picara the vixen? I couldn’t tell them apart, because at the time of our acquaintance I was living on the second floor of a terrace house in Edinburgh and the fox family lived under the garden shed next door – I never had the opportunity, or the need, to assess the gender of my vulpine neighbours.

The foxes used the suburban stone walls as their roads and came and went at will – here’s another photo, from spring, of one of them heading up the on-ramp. Look closer. Closer…

spring fox

An urban red fox is an opportunistic beast with a certain roguish charm. Clever and adaptable, they are wary, but accustomed, to the presence of humans. Here in Australia, foxes are a feral creature, responsible for the destruction of native marsupial populations which have no defence against such predators. But that’s not our beastie.

Our mascot Picara (or Picaro) is not an urban fox, nor a feral fox, but a thought-fox.

Ted Hughes wrote of every writer’s experience when he described ‘this midnight moment’s forest’, ‘the clock’s loneliness’ and the ‘blank page’ – in his poem, The Thought-Fox. He draws the creature out – the fox prints in the snow are the dark marks that fill the white page. His fox is both real and imagined, forever wild and yet captured by the words of the poem that evoke it.

We couldn’t find a better symbol for the art and action of creative writing: a roguish, rule-breaking, risk-taking thought-fox.

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